Within the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His posture is naturally upright, his arms defined beneath a plain white T-shirt. On stage, dancers can appear like powerful deities, yet frequently in person they are petite. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and pas de deux work. With delicate traits and piercing eyes, there's a hint of a brooding actor about him.
A Seamless Ascent to the Top
At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Growing up in Liverpool, he faced minimal teasing for his childhood interest in ballet. Entering the Royal Ballet School at 11, he moved directly into the troupe and was promoted each year, attaining the highest position of principal in 2018. He has loved tackling substantial dramatic roles, especially the emotional turmoil found in Kenneth MacMillan's works.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
Ball's next featured role is in a talk, in an "Evening With" series aiming to offer intimate perspectives into a performer's art. He will walk the crowd through a part, showing his mental process during performance. Yet in lighter ballets, the challenge is profound. "Don Quixote is one of the toughest technically," he notes.
The Mental Struggle and Post-Performance Emotions
What about after a show, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get immersed in the role, frequently I do feel self-conscious afterwards. Following Mayerling I'm always thinking: Wow, what must people think?"
Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a choreographer previously observed on a "kind of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an instigator for positive change."
Formative Motivations and Creative Inspirations
His determination originated in youthful setbacks. Not doing well in competitions at school made him "driven!" It was motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.
An upcoming challenge is creating his own dance works. For Ball, "there's nothing wrong with." "Breaking the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from literature, compositions, and painting.
Close-Up Performance and Private Partnership
He also favors presenting dance in smaller venues. "It was just really thrilling," he says of a previous show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"
Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They are not usually matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite supporter."
Regarding Instagram and Bodily Image
On social media, fans can see videos from his projects and images that highlight a athletic form. Does he care that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—something that can be seen on multiple levels.
Ball describes his younger self as "desperate for success." Did it lived up to his hopes? "I am conscious of how reality is a different thing to the aspirations you had as a young person," he reflects. He probably has another ten years of performing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."